During the final episode of Variety‘s Sustainability in Hollywood event presented by Toyota Mirai, Rob Bredow, senior vice president and chief creative officer at Industrial Light & Magic, and Janet Lewin, senior vice president and general manager at ILM and co-producer of “The Mandalorian,” talked to artisans editor Jazz Tangcay about how the virtual production of “The Mandalorian” has allowed the show to reduce its carbon footprint.
When Bredow and Lewin were first approached to sign on to “The Mandalorian,” producer Jon Favreau had just wrapped two virtual production-based films, including “The Lion King.” And with his upcoming project, Favreau and the team hoped to use virtual reality tools to create an authentic story from the “Star Wars” universe.
Lewin said the key to creating a live-action film through virtual production is “moving post-production to pre-production,” which means creating and editing the backdrops prior to the shooting.
Toys were a given. Clothing, backpacks, bedding and even a “The Child on Board” car magnet? Sure, those all fit. I have to say, though, I did not see The Mandalorian Polaroid camera coming, but here we are. The camera is the company’s Polaroid Now model released earlier this year but clad “in colors and textures inspired by the Mandalorian’s armor,” Polaroid says in its announcement.
The $120 The Mandalorian Polaroid Now camera (£130, AU$165 converted) is joined by Baby Yoda-inspired i-Type film. Instead of the familiar white frame, the limited-edition film is framed in colors inspired by the show’s palette and also features characters and symbols from the series. The Mandalorian i-Type color film is priced at $18 for an eight-print cartridge. You can also buy a bundle with three packs of film and the